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■Japan-exclusive project High-quality BSCD2 adoption Otomitsu label specification Uses LP jacket and design from the analog era 《Recording contents》 Beethoven 1-4 Symphony No.7 A major Op.92 5-8 Symphony No.8 F major Op.93 NBC Symphony Orchestra Conducted by Arturo Toscanini [Recording] 1-4: November 9, 1951, New York, Carnegie Hall (session) and live recording on November 10, 1951, New York, Carnegie Hall (recorded from NBC broadcast recording) edited 5-8: November 10, 1952, New York, Carnegie Hall (session) Mono [Reissue producer] John Pfeiffer [Supervisor] Arthur M. Fiero [Engineer] William C. Reising Toscanini Masterpiece Collection [4] ■ Arturo Toscanini, who left a huge mark on 20th-century music history. In the first half of his life, mainly performed at European and American opera houses, and in the second half, as a concert conductor, he mastered a wide repertoire and performed at a high level. Especially from 1937, his activities with the NBC Symphony Orchestra are among the earliest successful examples of media mix in music art. ■ Selects masterpieces from the vast recordings left by RCA, uses remasters supervised by John Pfeiffer who was involved in Toscanini’s recordings during his lifetime, and reproduces with the jacket design of an analog LP. ■ Symphony No.7 is edited from sessions and live recordings of 1951, a typical example where Toscanini paid attention to detail in recording. It is a superb performance that vividly captures the essence of this symphony, called "Sanctification of dance," overflowing with vigorous rhythm and passionate cantabile. The 1952 session recording of Symphony No.8 features a lively, light momentum that does not show age. Media review and others Arturo Toscanini, who left a huge mark on 20th-century music history. In the first half of his life, mainly performed at European and American opera houses, and in the second half, as a concert conductor, he mastered a wide repertoire and performed at a high level. Especially from 1937, his activities with the NBC Symphony Orchestra are among the earliest successful examples of media mix in music art. ■ Selects masterpieces from the vast recordings left by RCA, uses remasters supervised by John Pfeiffer who was involved in Toscanini’s recordings during his lifetime, and reproduces with the jacket design of an analog LP. ■ Symphony No.7 is edited from sessions and live recordings of 1951, a typical example where Toscanini paid attention to detail in recording. It is a superb performance that vividly captures the essence of this symphony, called "Sanctification of dance," overflowing with vigorous rhythm and passionate cantabile. The 1952 session recording of Symphony No.8 features a lively, light momentum that does not show age. (C)RS
SICC-30857
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